OTHER WRITING

Co-edited with Anne Koval, and Andrea Terry. “Intervention.” Journal of Curatorial Studies 14, no. 1 (2025).

“Romancing the Land: The Journals of Knud Rasmussen and the Circumvention of Colonial Landscapes.” In The Routledge Handbook of Indigenous Film. Eds., Kerstin Knopf, Wendy Pearson, and Corina Wieser-Cox. Routledge, 2025. Co-authored with Erin Morton.

Igloolik Isuma Productions and Félix Lajeunesse & Paul Raphaël’s ‘Tungijug: What We Eat.’” Numéro Cinq Magazine VI, no. 3 (March 2013). Co-authored with Erin Morton.

“The Forgotten Truce? Censorship, Media Regulation and Exhibiting Policies in Ontario.” In Explosion in the Movie Machine: Histories of Toronto Moving Image Culture. Ed. Chris Gehman, 153-170. Co-Published by Toronto Images Festival and Liaison of Independent Filmmakers of Toronto, distributed by YYZ Books, 2013.

On Collectivity: Caching Igloolik Video in the South.” In Reverse Shots: Indigenous Film and Media in an International Context. Eds., Susan Knabe and Wendy Pearson. Waterloo: Wilfrid Laurier University Press, 2013. Co-authored with Erin Morton.

“Structuring Knowledges: Caching Inuit Architecture Through Igloolik Isuma Productions.” Post Script: Essays in Film and the Humanities 29, no. 1 (2010): 58-69. Co-authored with Erin Morton.

“Freedom, Sex & Power: Film/Video Regulation in Ontario.” Wreck: graduate journal of art history, visual art, and theory 2, no. 1 (2008): 31-54.

cache: Provisions and Productions in Contemporary Igloolik Video.” In Global Indigenous Media: Cultures, Practices and Politics. Eds., Pamela Wilson and Michelle Stewart, 74-88. Durham, NC: Duke University Press, 2008. Co-authored with the Cache Collective (Erin Morton, Lindsay Leitch, Emily Rothwell, Andrea Terry, and Michelle Veitch).

“Persevering Realpolitik: A Conversation with Marie-Hélène Cousineau of Arnait Video Productions.” Fuse Magazine 28, no. 3 (2005): 15-19. Co-authored with the Cache Collective.